路人对他们周围的环境漠不关心，只有那些已经被证实的结局才能引起他们的注意；相反，艺术家是留心观察的漫步者，他们的目光时刻保持敏锐：他们可以破译路人没有注意到的城市当中的奥秘。在通常情况下，既定的习惯一直在阻碍着我们的观察和感受。作为一名艺术家，漫步的意义在于创造一种场景变化，并因此通过重新构建我们周围的世界来重获自我。对于路人来说，这也是一种摆脱平淡无奇的日常生活的手段，以便寻找那些意想不到的、不确定的、强烈的事物。
乔治·巴塔耶（Georges Bataille）用 "se désinsérer "来表示 “将自己从时间的网络中解脱出来，从日常生活的束缚和希望中脱离出来，从习惯的世界中抽离出来”。因此，了解这种转变是如何发生的，审视一切有可能促成这种转变的因素，以及最后扪心自问：如果要将一次行走描述为一件艺术作品，它将留下怎样的必要的痕迹？
The pedestrian is a walker indifferent to his environment, only a proven disaster can hold his attention; the artist, on the contrary, is a walker on the lookout, his gaze on permanent alert: he deciphers mysteries in the city that the pedestrian does not notice. Habit prevents us from seeing and feeling. To walk as an artist is to know how to create a change of scenery and, thanks to this, to regain possession of ourselves by recomposing the world around us. For the walker, it is about getting rid of everyday life without surprises in order to seek out the unexpected, the uncertain, the intense.Georges BATAILLE used the expression"se désinsérer " to mean “To free oneself from the fabric of time, To detach oneself from the constraints and hopes of everyday life, To become absent from the world of habits”. It is therefore now a matter of understanding how such a transformation can be composed, of looking at everything that is likely to encourage its emergence, and finally of wondering what trace a step must leave to be qualified as a work?