OuT10JQKA
艺术家：李海南
策展人：上官凯莉
开幕时间：2023年9月2日 周六 下午5：00
展期：2023年9月2日—10月2日（预约观展）
展览地址：成都市青羊区锦里西路86号3楼
主办机构：AVG空间
支持机构：伦敦梵高故居、三妹画廊（伦敦）
Artist: Hainan Li
Curated by Kylie Shangguan
Opening: 5:00 PM, Sep.2 2023
Duration：Sep.2 - Oct 2, 2023 by appointment
Venue: Floor 3, No. 86 Jinli West Road, Qingyang District, Chengdu
Organizer: Aspiring Van Gogh
Support: Van Gogh House London, San Mei Gallery (London)
前 言
Preface
“人不得不借助随机数生成器产生真正意义上的随机数，但是如何下注却是人的本身控制的”。
博弈游戏作为一种社会交互的形式，通常涉及到参与者之间的竞争、冲突与合作，它也在一定程度上反映了社会中的权力关系与分配机制。诚然，博弈游戏与社会秩序两者之间并非绝对的对立，而是一种动态的相互作用关系：社会秩序在一方面为博弈游戏提供了框架和规则，使得游戏能够在一定范围内进行，并保持了相对地公平和可控性；另一方面，博弈游戏也可以为社会秩序的演变提供思考和刺激，通过参与游戏来展示自己的技能、策略和决策能力，并追求个人利益和满足欲望的机会。如果将博弈游戏与社会秩序看作是一种复杂性的关系，那么本次展览《OuT10JQKA》将是一场关于权力、控制、欲望、自由意志和个体身份的复杂性的观察。李海南｜文
"We had to resort to random number generators to produce truly random numbers, but we were able to control how we placed our bets.”
As a form of social interaction, the game usually involves competition, conflict and co-operation among the participants, and to a certain extent it also reflects the power relations and distribution mechanism in society. Admittedly, game and social order are not absolute opposites, but a kind of dynamic interaction: social order provides the framework and rules for game, which enables the game to be played to a certain extent and maintains relative fairness and controllability; on the other hand, game can also provide thinking and stimulation for the evolution of the social order, and through participation in the game to show their skills, strategies and decision-making ability, and to pursue personal interests and satisfy their desires. On the other hand, games can also provide food for thought and stimulus for the evolution of social order, by demonstrating one's skills, strategies and decision-making abilities through participation in the game, and by pursuing personal interests and opportunities to satisfy desires. If gaming and social order are seen as a complex relationship, then the exhibition <OuT10JQKA> will be an observation of the complexity of power, control, desire, free will and individual identity.
Hainan Li
李海南
Hainan Li
1993年⽣于中国东北地区，视觉艺术⼯作者，于法国巴黎国⽴⾼等美术学院获学⼠及硕⼠学位，期间交换访学 (Erasmus+ ) 于⽐利时布鲁塞尔坎布雷国⽴⾼等视觉艺术学院雕塑系，并于巴黎索邦⼤学 (巴黎第四⼤学) 哲学系辅修学⼠学位，现常驻上海。
他的创作依托于装置、拼贴和环境⼲预等诸多媒介，通过以视觉主导的艺术语⾔对图像进⾏⼲预和重构，展开批判性与多样化的政治艺术社会实践。他致⼒于以新的范式去解构那些锚定和建基于历史叙事中的“真理”，试图借助价值锚点的陌⽣化具象敲击流俗观念的框架，据此揭示资本浪潮之下的社会地域与经济之间的结构性关系，进⽽将艺术直观建构为新现实。
Born in 1993 in Northeast China, visual artist. He graduated from École Nationale Supérieure des Beaux-Arts de Paris DNAP and DNSAP (BFA and MFA), France, with an exchange visit (Erasmus+ Programme) to the Sculpture Department at École nationale supérieure des arts visuels (ENSAV) de La Cambre, Brussels, Belgium, and a minor in Philosophy at Sorbonne University (Paris IV), currently based in Shanghai.
Relying on a variety of media such as installation, collage and environmental intervention, he intervenes and reconstructs images through a visually dominant artistic language, developing a critical and diverse social practice of political art. He is committed to deconstructing the 'truths' anchored and constructed in historical narratives with a new paradigm, attempting to knock down the framework of commonplace ideas through the strangeness of value anchors, thereby revealing the structural relationship between social territories and the economy under the wave of capital, and thus constructing artistic intuitions into new realities.